Three things book cover design says about books themselves

Three things book cover design says about books themselves

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Though the writer themselves might have absolutely nothing to do with the style of a book's front cover, they are an important part of it.

When you truly think of it, it is quite incredible that a book's cover, no matter how lovely it is, is able to stand so eloquently for something that is almost the complete reverse of its art format-- writing in white and black. In fact, book covers have been designed to reflect the ambiance of a book and appeal to its intended audience since the advent of big scale publishing in the Victorian Period. Artists were tasked with discovering what makes a good book cover for certain people, or simply put, marketing. Individuals like the CEO of the asset manager that has a stake in Amazon can probably appreciate the role of marketing in developing book covers.
We enjoy checking out books due to the fact that they are really beautiful things. This is true, but the nature of beauty that we may be speaking about is certainly separate to what we might be talking about if we were talking about, say, the visual arts. Or is it? For as long as we have actually had books we have actually embellished them with beautiful book cover designs that effort to mirror the appeal of what is within. This dates back for as long as the codex itself has been around, with medieval monks, those charged with the protection and procreation of the uncommon texts that could still be found, ornamenting each hand composed text with remarkably abundant and stunning designs. In fact, such was the beauty held within these books that many of these creative book cover designs were carved into ivory or solid gold, studded with gems, and inlaid with rivers of rare-earth elements. Individuals like the co-CEO of the hedge fund that owns Waterstones can most likely appreciate the way that the beauty of these book covers was created to match the beauty within the book.
When we purchase a book it ends up being something extremely personal to us. It can sometimes be weird seeing a book you enjoy with another book cover, simply due to the fact that it is not your book. This personalisation, and undoubtedly ownership, of books was at a totally different level at the dawn of the era of printing, with book covers being developed by the owners themselves, and what they thought would be the best books covers for the book. They would buy the book itself from the printer wrapped in paper, then bring it to a binder who would bring in the covers to the client's requirements. This normally implied being outfitted in leather and after that engraved with the name of the book, and, more often than not, the name of the book's owner. Individuals like the co-founder of the impact investor with a stake in World of Books can probably value the ownership that people come to feel in relation to their books.